Installations, Film, & Photography

Ablations: Cultures of Loss
or, the Existential Climate Crisis as Taxidermy

Medium: Mixed media—acrylic resin and pigment in borosilicate glass, over aromatic herbs (mountain sage, cedar, and lavender) in copper and tin prayer bowls.
Dimensions: 4” Dia. x 2.5” H Each
Exhibition: TBD, in-development
Year: 2025-present

An intimate study of a disappearing world, Ablations focuses a global environmental catastrophe into a quiet, multi-sensorial encounter by capturing the vastness of a melting glacier within clinical Petri dishes and prayer bowls, using the unpredictable "wrinkling" of resin as a visceral metaphor for the disappearance of ice sheets. More…

GESTURES for Rising Waters
or, Somatic Rituals for an Uncertain Shoreline

Medium: Site-responsive performance, modular score, coastal water cinematography, tactile soundscapes, and community activation
Dimensions: Variable spatial footprint
Exhibition: Cavana dei Miracoli (Venice, Italy) and TBD
Year: 2026

A participatory inquiry into climate grief, aquatic memory, and localized resilience. Through a sequence of somatic scores, daily rituals, and community-led movement, the work translates large-scale ecological disruption into physical, micro-level acts of listening and adaptation. Designed to be infinitely adaptable, it functions as both an active performance score and an archive of human relationship to rising waters. More…

Agave Series

Tree, Trio, Duo, Solo

Medium: Brushed aluminum, hand-molded sculptures paired with iterative and adaptable mixed media environments
Dimensions: 3’x6’ each
Exhibitions: Studio 80 + Sculpture Grounds (Old Lyme, CT), The Courtyard Gallery (Arts Brookfield at World Financial Center), DNA Gallery (New York, NY), Burning Man Arts Festival (Black Rock City, Nevada), and others.
Year: 2007-2023

A three-part sculptural exploration examining botanical endurance as a symbol of adaptation, memory, and sacred geometry. The work is a quiet altar that consider how organic forms withstand harsh ecological conditions, climate, and humans to preserve a cellular archive of earth knowledge. More…

The Archives of Asterion

Medium: 144 apothecary drawers, original artwork, letters, blueprints, ecofacts, custom scents, Virtual Reality environment, projected film, and poetry
Dimensions: 12’ W x 12’ L spatial footprint
Exhibition: Olin College of Engineering (Milas Hall Library) & Online Portfolio
Year: 2019

The Archives of Asterion transforms a library into an interactive, speculative memory system told through modern and antiquated technologies. Drawers filled with artwork, tactile ephemera, and biological specimens offer an intimate, multi-sensorial encounter for a few visitors at a time. The project serves as the generative engine for a broader cross-disciplinary ecosystem, intersecting directly with published poetry, VR, film, and live performance. More…

Stanzas

Medium: Mixed media textual installation, manuscript pages, ink, paper, and physical performance scores
Dimensions: 30 square feet room filled with various media, 3’x5’ wall hangings, and 15’x10’ projection screen
Exhibition: Ace Hotel New York Gallery
Year: 2019

A series of tactile, visual poetry works that treat meter and stanzaic structure as physical, architectural interventions. Created both as standalone visual text and as key artifact sets embedded within The Archives of Asterion, the work treats the written word as a physical object. It explores the weight of written impressions housed within their own subject matter, expressed through film, objects, ephemera, and performance activations. More…

Dis.solution

or, Dis.illusion

Medium: Polaroid prints, emulsion transfers
Dimensions: 3.5” × 4.25” Each (Individual and Series Grid Layouts)
Exhibition: TBD
Years: 2019-2022

Using instant analog film and emulsion transfers, Dissolution gathers intimate and tactile visual studies of movement, light, and shadow. The series functions as a raw visual notebook—recording a site-specific inquiry into manifestations of a dissolving world, paired with internal disillusionment. More… [Coming Soon]

The Night Garden

Medium: Experimental short film, augmented reality mosaic, and site-specific installation
Exhibitions & Platforms: Global Performance Studio / Art Prospect Festival (St. Petersburg, 2018) / Ace Hotel New York Gallery (2019) / International short film festivals (2022) / Vimeo Streaming (2022–present)
Years: 2018/2022

Through a cartography of associations, imagery, and poetry, these surrealist episodes offer a harvest of ideas and meditations for a dream feast. Shot entirely on smartphones and originally presented as an augmented reality mosaic activated by mobile devices, the work features an accompanying installation of objects and ephemera displayed beneath the digital tiles—originally presented as part of CEC ArtsLink’s 2018 Art Prospekt Festival, Food for Thought. More…

Kissing the Gunner’s Daughter

Medium: Mixed media, environmental—hand woven bamboo boxes, family photographs, Super 8 film footage, sand, seashells, slides, notebooks, steamer trunks, nautical ephemera, costumes, sculpture, and objets d'art.
Dimensions: Fills 15 square foot space
Exhibition: Dance New Amsterdam (DNA) Gallery, NY (2010) and as part of The Drifting Encyclopedia at The Courtyard Gallery (Arts Brookfield) at the World Financial Center Winter Garden, New York (2009)
Years: 2009/2010

An interactive space of tactile objects, curated set pieces, and performance activations—with an interactive work that features fragments from a ship’s interior, a captain’s log of its travels, and the true tale of a man from Michigan who traded his home for a replica of the Santa Maria. The work invites visitors to physically touch and explore collected artifacts to unravel an eccentric tale. More…

Visual Art portfolio

Installations, Film, & Photography